![]() Through the application of wet plaster onto constructed metal armatures, Frink was able to build up texture and surface before casting in bronze. Dame Elisabeth Frink, R.A., Head, bronze, 1967 ESTIMATE: 80,000-120,000GBP Property from the Collection of Dame Mary Quant OBE The Goggle Head, which is to be sold in the upcoming Modern British and Irish Art sale, comes from a series of similar Head sculptures that Frink made in the 1960s. The style would stay with her in her later work. She was only 27 when she created Blind Beggar and his Dog. Other works in London include the famous ‘ Shepard and Sheep ‘ in Paternoster Square and ‘ Horse and Rider ‘ in Dover Street. The craggy, rough surface of this sculpture was created using a method Frink employed throughout her lifetime. Elisabeth Frink is now considered to be one of the most important sculptors of the 20th century. Born in Thurlow, Suffolk, Dame Elisabeth Frink (1930-1993) trained at Guildford School of Art (1947-49), and at Chelsea School of Art (1949-1952) under. Alternatively, the shabby, straining shape of this bird could also be read as a comment on the conflict between the idealized heroic attitudes towards a war just won and the dehumanising aspects of its gruesome reality. Elisabeth Frinks Desert Quartet, 1990, comprises four bronze sculptures commissioned in 1985 by property developers The Avon Group as an integrated external feature of their then new Montague Centre shopping precinct in the coastal town of Worthing, West Sussex. In our new podcast episode on Elisabeth Frink, we re-examine this incredible productivity and put her back into contexts which have been forgotten and consider how artists can be side-lined by the. The eagle has long been associated with military power and empire, but Frink’s 'Bird' is impossible to identify according to species and instead occupies the realm of a more general predator. When she died in 1993, she had created over 400 sculptures, many of which are well-known public commissions. ![]() ![]() The head and neck of 'Bird' resemble the nose of a fighter plane. Frink grew up near an airbase in Suffolk during the Second World War, and her childhood experiences are clearly evident in both the concept and material form of this early sculpture. Her sculptures often convey overt militaristic references. Elisabeth Frink came to prominence in the early 1950s for sculptures depicting birds of prey and the male form.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |